PhotoResearcher No. 19|2013

Materiality/Immateriality in Photography
phr19

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Editors
Uwe Schögl, Ulla Fischer-Westhauser

Content

Peter Weiermair
Reflections on Materiality in Photographic Production – Looking Back at a Discourse

Hubertus von Amelunxen
Im | materialities

Andreas Spiegl
Anatal and Digilogue Photography: Different but Indistinguishable

Danielle Leenaerts
The Modes of Inscription and Appearance of the Still Image in Beat Streuli’s Work
Reflections on the Photographic Media

Klaus Honnef
Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper

Caroline Fuchs
Anticipation and Reality
A Re-Evaluation of Autochrome Projection

Amélie Van Liefferinge
Between Art, Science and Education: The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933)

Thomas Freiler
The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being

Moritz Neumüller, Andreas Reichinger
From Stereoscopy to Tactile Photography

Monika Schwärzler
The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva

Carl Aigner
Photo Digitality in the Area of Conflict
Between the Material and Immaterial
A Review as a Preview

Jeanna Nikolov-Ramírez
Pictorial Spreading – On Immaterial Forms of Collecting and Sharing Images

Ilka Becker
Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital

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