{"id":538,"date":"2016-03-16T13:39:00","date_gmt":"2016-03-16T12:39:00","guid":{"rendered":"http:\/\/www.eshph.org\/journal\/?p=538"},"modified":"2016-03-24T13:09:08","modified_gmt":"2016-03-24T12:09:08","slug":"photoresearcher-no-252016","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/journal\/photoresearcher-no-252016\/","title":{"rendered":"PhotoResearcher No. 25|2016"},"content":{"rendered":"
Photography in the Marketplace<\/h6>\n\"PHR25_EDITORIAL_WEB\"<\/a>\n

Photography in the Marketplace is not only a matter of industrial advertising photography, or corporate branding, but is a political, material and above all, commercial enterprise that inflects the taking, circulating, collection and recirculation of photographs. The materiality of the markets in which photography takes part, the communications networks in which they circulate, and the circumstances in which they are preserved as history enrich the narratives of \u2018industry\u2019 beyond its current confines.<\/p>\n

<\/i> DOWNLOAD EDITORIAL<\/a><\/p>\n

<\/div>\n

<\/p>\n

Editors<\/h3>\n

Kelley Wilder, Ulla Fischer-Westhauser, Uwe Sch\u00f6gl<\/p>\n

Content<\/h3>\n

Kim Timby
\nGlass Transparencies: Marketing Photography\u2019s Luminosity and Precision
\n<\/strong>
\nClara von Waldthausen
\nReflections on the Material History and Materiality of Photographic Gelatine
\n<\/strong>
\nNicholas Le Guern
\nIndustrialists, their Scientists and the Endless Invention of Twentieth Century Photography
\n<\/strong>
\nNoeme Santana
\nVisualising the Corporate Archive: The S. Pearson & Son Photographic Albums of Industry and Business
\n<\/strong>
\nTom Allbeson
\nWhere are the pictures? Photography & British Public Perception of the Bombing of Germany, 1941\u201345
\n<\/strong>
\nWolfgang Hesse
\nResource and Resonance: A Photo Album as Utopian Vision<\/strong><\/p>\n

<\/i> Order the PhotoResearcher Journal or single articles as a PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Photography in the Marketplace Photography in the Marketplace is not only a matter of industrial advertising photography, or corporate branding, but is a political, material and above all, commercial enterprise that inflects the taking, circulating, collection and recirculation of photographs. The materiality of the markets in which photography takes part, the communications networks in which… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[205],"tags":[210,211,208,209,206,207],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/538"}],"collection":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/comments?post=538"}],"version-history":[{"count":23,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/538\/revisions"}],"predecessor-version":[{"id":568,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/538\/revisions\/568"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/media?parent=538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/categories?post=538"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/tags?post=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}