{"id":56,"date":"2015-10-30T18:07:30","date_gmt":"2015-10-30T17:07:30","guid":{"rendered":"http:\/\/www.eshph.org\/journal\/?p=56"},"modified":"2022-07-12T18:08:33","modified_gmt":"2022-07-12T16:08:33","slug":"photoresearcher-no-132010","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/journal\/photoresearcher-no-132010\/","title":{"rendered":"PhotoResearcher No. 13|2010"},"content":{"rendered":"<h6>Photography in the Orient in the 19th Century<\/h6>\n<a href=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2015\/11\/phr13.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-259 alignnone\" src=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2015\/11\/phr13.jpg\" alt=\"phr13\" width=\"250\" height=\"333\" srcset=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2015\/11\/phr13.jpg 714w, http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2015\/11\/phr13-225x300.jpg 225w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a>\n<p><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/wp-content\/uploads\/2022\/07\/PHR_13.pdf\" target=\"_blank\"><i class=\"fa fa-file\"><\/i> FREE DOWNLOAD JOURNAL<\/a><\/p>\n<p><!--more--><\/p>\n<h3>Editors<\/h3>\n<p>Anna Auer, Uwe Sch\u00f6gl, Ulla Fischer-Westhauser<\/p>\n<h3>Content<\/h3>\n<p>St\u00e9phanie Roy Bharath<br \/>\n<strong>The Sach\u00e9s: a family of photographers working in India during the 19th century<\/strong><\/p>\n<p>Corien J.M. Achour-Vuurman<br \/>\n<strong>Arranging early photographs of Persepolis in Dutch photo-collections by the ideas of David Hockney<\/strong><\/p>\n<p>Bahattin \u00d6ztuncay<br \/>\n<strong>CARANZA: From Constantinople to the Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie<\/strong><\/p>\n<p>Mohammad Reza Tahmasbpour<br \/>\n<strong>Creative Photography in the Early Years of Photography in Iran<\/strong><\/p>\n<p>St\u00e9phanie Roy Bharath<br \/>\n<strong>The Alkazi Collection of Photography: Visual Heritage from South Asia<\/strong><\/p>\n<p>Herta Wolf<br \/>\n<strong>`Collections of all Kinds will be Formed\u00b4 The Photograph as an Image and Medium for Taking Inventory.<\/strong><\/p>\n<p><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/international-letter\/ordering\/\"><i class=\"fa fa-shopping-cart\"><\/i> Order the PhotoResearcher Journal or single articles as a PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photography in the Orient in the 19th Century FREE DOWNLOAD JOURNAL<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[154,155,153,156,157],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/56"}],"collection":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":11,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":801,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/56\/revisions\/801"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}