
{"id":595,"date":"2017-03-15T20:00:01","date_gmt":"2017-03-15T19:00:01","guid":{"rendered":"http:\/\/www.eshph.org\/journal\/?p=595"},"modified":"2017-10-04T12:10:36","modified_gmt":"2017-10-04T10:10:36","slug":"photoresearcher-no-272017","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/journal\/photoresearcher-no-272017\/","title":{"rendered":"PhotoResearcher No. 27|2017"},"content":{"rendered":"<h6>Playing the Photograph<\/h6>\n<p><a href=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2017\/03\/PHR_27_COVER.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-599\" src=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2017\/03\/PHR_27_COVER-768x1024.jpg\" alt=\"PHR_27_COVER\" width=\"250\" height=\"266\" \/><\/a><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2017\/03\/PHR_27_editorial.pdf\" target=\"_blank\"><i class=\"fa fa-file\"><\/i> DOWNLOAD EDITORIAL<\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<p><!--more--><\/p>\n<h3>Guest Editors<\/h3>\n<p>Matthias Gru\u0308ndig, Steffen Siegel<\/p>\n<h3>Editors<\/h3>\n<p>Ulla Fischer-Westhauser, Uwe Sch\u00f6gl<\/p>\n<h3>Content<\/h3>\n<p>Matthias Gru\u0308ndig<br \/>\n<strong>If This is the World at all Approaches to the Relationship between Photography and Play<\/strong><\/p>\n<p>Steffen Siegel<br \/>\n<strong>Inheriting Bayard, or: How to Play Serious in Front of a Camera<\/strong><\/p>\n<p>Sabine T. Kriebel<br \/>\n<strong>Germaine Krull\u2019s Shadowplay<\/strong><\/p>\n<p>Andr\u00e9s Mario Zervig\u00f3n<br \/>\n<strong>The A-I-Z at Play with Photography<\/strong><\/p>\n<p>Susan Laxton<br \/>\n<strong>Shannon Ebner\u2019s \u201cStrike\u201d: Conflict and Play in the Age of Electronic Information<\/strong><\/p>\n<p>Alise Tifentale<br \/>\n<strong>Rules of the Photographers\u2019 Universe<\/strong><\/p>\n<p>Lev Manovich<br \/>\n<strong>\u201cFind Your Own Filter\u201d Creating Instagram Photography<\/strong><\/p>\n<p>Markus Rautzenberg<br \/>\n<strong>Dissolving into the Frame. Ludic Mediality in Computer Games and Photography<\/strong><\/p>\n<p><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/international-letter\/ordering\/\"><i class=\"fa fa-shopping-cart\"><\/i> Order the PhotoResearcher Journal or single articles as a PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Playing the Photograph DOWNLOAD EDITORIAL<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[220],"tags":[221,223,225,227,228,222,226,224],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/595"}],"collection":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":12,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/595\/revisions"}],"predecessor-version":[{"id":610,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/595\/revisions\/610"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/media?parent=595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/categories?post=595"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/tags?post=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}