
{"id":645,"date":"2018-11-05T19:13:16","date_gmt":"2018-11-05T18:13:16","guid":{"rendered":"http:\/\/www.eshph.org\/journal\/?p=645"},"modified":"2018-11-05T19:33:58","modified_gmt":"2018-11-05T18:33:58","slug":"photoresearcher-no-302018","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/journal\/photoresearcher-no-302018\/","title":{"rendered":"PhotoResearcher No. 30|2018"},"content":{"rendered":"<h6>Photographs in Motion.<br \/>\nCirculating Images of Asia around 1900<\/h6>\n<a href=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2018\/11\/PHR_30_COVER_WEB.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-652\" src=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2018\/11\/PHR_30_COVER_WEB.jpg\" alt=\"PHR_30_COVER_WEB\" width=\"334\" height=\"546\" \/><\/a>\n<p><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2018\/11\/PHR_30_EDITORIAL_WEB.pdf\" target=\"_blank\">DOWNLOAD EDITORIAL<\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<p><!--more--><\/p>\n<h3>Guest Editor<\/h3>\n<p>Sophie Junge<\/p>\n<h3>Editors<\/h3>\n<p>Ulla Fischer-Westhauser, Uwe Sch\u00f6gl<\/p>\n<h3>Content<\/h3>\n<p>Eva Ehninger<br \/>\n<strong>Group Formation. Queen Victoria in India<\/strong><\/p>\n<p>Natasha Eaton<br \/>\n<strong>Camera Indentica.<br \/>\nPhotographic Rattan and Vagabondage in Nineteenth-Century Mauritius<\/strong><\/p>\n<p>Stella Jungmann<br \/>\n<strong>Imaging Japan in Illustrated Newspapers:<br \/>\nThe Role of Photography in Visualizing the Japanese Embassy in the United States, 1860<\/strong><\/p>\n<p>Sophie Junge<br \/>\n<strong>Old Soerabaja \u2013 New Soerabaja?<br \/>\nCirculating the Emptiness of the Colonial City<\/strong><\/p>\n<p>Jung Joon Lee<br \/>\n<strong>Traveling Images, Traveling Bodies:<br \/>\nKorean War Orphans in Hollywood and the Rhetoric of Interracial Adoption<\/strong><\/p>\n<p>Taous R. Dahmani<br \/>\n<strong>Bharti Parmar\u2019s True Stories:<br \/>\nAgainst the grain of Sir Benjamin Stone\u2019s Photographic Collection<\/strong><\/p>\n<p>Sean Willcock<br \/>\n<strong>The Aesthetics of the Negative:<br \/>\nOrientalist Portraiture in the Digitised Collodion Plates of John Thomson (1837\u20131921)<\/strong><\/p>\n<p><a class=\"editorial\" href=\"http:\/\/www.eshph.org\/international-letter\/ordering\/\"><i class=\"fa fa-shopping-cart\"><\/i> Order the PhotoResearcher Journal or single articles as a PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photographs in Motion. Circulating Images of Asia around 1900 DOWNLOAD EDITORIAL<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[242],"tags":[244,243,247,246,245,248,249],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/645"}],"collection":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/comments?post=645"}],"version-history":[{"count":9,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/645\/revisions"}],"predecessor-version":[{"id":657,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/645\/revisions\/657"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/media?parent=645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/categories?post=645"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/tags?post=645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}