\n<\/a>
![\"PHR_38_Cover\"](\"http:\/\/www.eshph.org\/journal\/wp-content\/uploads\/sites\/2\/2022\/10\/PHR_38_Cover.jpg\")
<\/a>How does propaganda operate in photobook form? The articles included in this new instalment of PhotoResearcher attempt to answer that question by not only looking at different manifestations of this form of communication \u2013 war, tourism, nation-building, activism, protest, children\u2019s literature \u2013 but also at the specific material, social, political and artistic contexts that shaped the creation of the publications examined throughout this issue.<\/p>\n<\/i> FOR ORDERS PLEASE CONTACT: office@eshph.org<\/a><\/p>\n DOWNLOAD EDITORIAL<\/a><\/p>\n <\/p>\n Ulla Fischer-Westhauser, Uwe Sch\u00f6gl<\/p>\n Jos\u00e9 Neves<\/p>\n Ben Krewinkel Bettina K\u00fcmmerling-Meibauer and J\u00f6rg Meibauer Susana S. Martins Galia Yanoshevsky Vitor Marcelino Jos\u00e9 Neves <\/i> Order the PhotoResearcher Journal or single articles as a PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Photobooks as Propaganda A Platform for Power, Protest and Persuasion How does propaganda operate in photobook form? The articles included in this new instalment of PhotoResearcher attempt to answer that question by not only looking at different manifestations of this form of communication \u2013 war, tourism, nation-building, activism, protest, children\u2019s literature \u2013 but also at… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[324],"tags":[325,326,330,328,327,331,329],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/808"}],"collection":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":33,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/808\/revisions"}],"predecessor-version":[{"id":875,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/posts\/808\/revisions\/875"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/media?parent=808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/categories?post=808"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/journal\/wp-json\/wp\/v2\/tags?post=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Editors<\/h3>\n
Guest Editor<\/h3>\n
Content<\/h3>\n
\nOur Photogenic Masai<\/strong><\/p>\n
\nPropaganda in Photographic Picturebooks of the German Democratic Republic<\/strong><\/p>\n
\nPhotobooks with a View. Propaganda, Tourism, and Dissent During the Portuguese Dictatorship<\/strong><\/p>\n
\nA Nation among Nations or Portrait of a (Normal) Country \u2013
\nPeter Merom\u2019s Israel Photography Annual<\/em> 1963\u20131970<\/strong><\/p>\n
\nFacing the Eternal to Denounce the Present:
\nClaudia Andujar\u2019s Yanomami: Frente ao Eterno<\/em><\/strong><\/p>\n
\nOn Borrowed Time: Early-AIDS and the Photobook<\/strong><\/p>\n