
{"id":41,"date":"2015-11-17T17:07:30","date_gmt":"2015-11-17T16:07:30","guid":{"rendered":"http:\/\/www.eshph.org\/symposium\/?p=41"},"modified":"2019-03-07T21:56:15","modified_gmt":"2019-03-07T20:56:15","slug":"1985-bradforduk","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/symposium\/2015\/11\/17\/1985-bradforduk\/","title":{"rendered":"3rd International Symposium"},"content":{"rendered":"<h6>11\u201414 April 1985, National Museum of Photography, Film &amp; Television, Bradford\/UK<\/h6>\n<div id=\"attachment_833\" style=\"width: 968px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1985.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-833\" class=\"wp-image-833 size-full\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1985.jpg\" alt=\"1985\" width=\"958\" height=\"680\" srcset=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1985.jpg 958w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1985-300x213.jpg 300w\" sizes=\"(max-width: 958px) 100vw, 958px\" \/><\/a><p id=\"caption-attachment-833\" class=\"wp-caption-text\">Photo: Jan Coppens. From left to right: Mark van Gysegem \u2013 Head \u2013 The Academie Wetteren, Gent (B), Georges Vercheval \u2013 Head \u2013 The Mus\u00e9e de la Photographie, Charleroi (B) Roger Coenen \u2013 Secretary General of ESHPh, Antwerp (B), Johan M. Swinnen \u2013 Higher Institute for Fine Arts-Flandres, Antwerp (B), Laurent Roosens \u2013 First President of the ESHPh, Mortsel \/ Antwerp (B), Pierre Cordier \u2013 Artist \/ photographer, Brussels (B), Pool Andries, Antwerp (B)<\/p><\/div>\n<p><!--more--><\/p>\n<p><strong><span style=\"text-decoration: underline; color: #cc0077;\">11 April<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\">Museums<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairman: Colin Ford, <em>National Museum of Photography, Film &amp; Television, Bradford<\/em><\/span><\/p>\n<p>Margaret Harker, <em>Vice-President of the ESHPh, Egdean\/Sussex<\/em><br \/>\n<strong>\u00bbThe Collections of the Royal Photographic Society\u00ab<\/strong><\/p>\n<p>Robert Lassam, <em>Fox Talbot Museum, Lacock Abbey, Wiltshire<\/em><br \/>\n<strong>\u00bbThe Fox Talbot Museum at Lacock Abbey\u00ab<\/strong><\/p>\n<p>Sara Stevenson, <em>Scottish National Portrait Gallery, Edingburgh<\/em><br \/>\n<strong>\u00bbThe Scottish Photography Archive\u00ab<\/strong><\/p>\n<p>Roger Coenen, <em>(Founding Member of the ESHPh, 1977) Provinciaal Museum voor Fotografie, Antwerpen<\/em><br \/>\n<strong>\u00bbProvinciaal Museum voor Fotografie, Antwerp\u00ab<\/strong><\/p>\n<p>Andre Fage, <em>Mus\u00e9e Francais de la Photographie, Bi\u00e8vres, France<\/em><br \/>\n<strong>\u00bbMus\u00e9e Francais de la Photographie\u00ab<\/strong><\/p>\n<p>Ingeborg Leijerzapf, <em>(Founding Member of the ESHPh, 1977) University Leiden<\/em><br \/>\n<strong>\u00bbThe Print Room, University of Leiden\u00ab<\/strong><\/p>\n<p>Ritva Keski-Korhonen, <em>Photographic Museum of Finland, Helsinki<\/em><br \/>\n<strong>\u00bbThe Photographic Museum of Finland \u2018Off the Main Roads\u2019\u00ab<\/strong><\/p>\n<p>Georges Vercheval, <em>Director, Mus\u00e9e de la Photographie<\/em><br \/>\n<strong>\u00bbMus\u00e9e de la Photographie de Charleroi\u00ab<\/strong><\/p>\n<p>Tom Ward, <em>The Grosvenor Museum, Chester<\/em><br \/>\n<strong>\u00bbThe Grosvenor Museum &#8211; Collecting Policies and Conflicts\u00ab<\/strong><\/p>\n<p>David Fleming, <em>Leeds City Museum<\/em><br \/>\n<strong>\u00bbThe Use and Abuse of Photography in British Museum\u00ab<br \/>\n<\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\">12 April<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\">Education<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\"> Introductory remarks<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairperson: <em>Margaret Harker, Vice-President of the ESHPh<\/em><\/span><\/p>\n<p>A. Budge, <em>National Museum of Photography, Film &amp; Television, Bradford<\/em><br \/>\n<strong>\u00bbEducation &amp; the National Museum Photography, Film &amp; TV\u00ab<\/strong><\/p>\n<p>Jim Cross, <em>Trinity and All Saints College, Leeds<\/em><br \/>\n<strong>\u00bbUsing the Museum as a Resource &#8211; Teaching about Photo-Journalism\u00ab<\/strong><\/p>\n<p>Ted Welch, <em>Harrow College of Higher Education<\/em><br \/>\n<strong>\u00bbForward to the Past (Museums of Photography, Education and the Future)\u00ab<\/strong><\/p>\n<p>David Faddy, <em>Head of Photography, Polytechnic of Central London<\/em><br \/>\n<strong>\u00bbThe Role of Academic Institutions and Research in Constructing Histories<\/strong><br \/>\n<strong> of Photography\u00ab<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline; color: #cc0077;\">13 April<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\">History<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\"> Introductory remarks (Which History of Photography?)<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairman: Laurent Roosens<\/span><\/p>\n<p>Joan Schwarz, <em>Public Archive of Canada, Ottawa<\/em><br \/>\n<strong>\u00bbPrivate Realms of Light: Canadian Amateur Photography 1839 to 1940\u00ab<\/strong><\/p>\n<p>Jan Coppens, <em>Eindhoven<\/em><br \/>\n<strong>\u00bbBritish Calotypists in Holland and Belgium\u00ab<\/strong><\/p>\n<p>Otto Lilien, <em>Rehovot, Israel<\/em><br \/>\n<strong>\u00bbColour Printing before and after the Invention of Photography\u00ab<\/strong><\/p>\n<p>Larry Schaaf, <em>University of St Andrews<\/em><br \/>\n<strong>\u00bbNi\u00e9pce 1827 in England\u00ab<\/strong><\/p>\n<p>David Thomas, <em>Science Museum, London<\/em><br \/>\n<strong>\u00bbVictorian Magic Lantern Slides\u00ab<\/strong><\/p>\n<p>Mike Weaver, <em>University of Oxford<\/em><br \/>\n<strong>\u00bbThe Britishness of British Photography\u00ab<\/strong><\/p>\n<p>Jane Carmichael, <em>Imperial War Museum, London<\/em><br \/>\n<strong>\u00bbA View of Home, British Official Photography of the Home Front 1939 to 1945\u00ab<\/strong><\/p>\n<p>Janice Hart, <em>North Staffordshire Polytechnic<\/em><br \/>\n<strong>\u00bbThe Social Context of the New Photography in Britain 1959 to 1965\u00ab<\/strong><\/p>\n<p>Elliot Rubenstein, <em>Rochester Institute of Technology, New York State<\/em><br \/>\n<strong>\u00bbAnsel Adams: A Reconsideration of his Place in the History of Photography\u00ab<\/strong><\/p>\n<p>Eugene Ostroff, <em>Smithsonian Institution, Washington D.C.<\/em><br \/>\n<strong>\u00bbMagnetic Images: Tintypes for Everyone\u00ab<\/strong><\/p>\n<p>David Bruce, <em>Scottish Film Council<\/em><br \/>\n<strong>\u00bbHistory of Cinema Films (G.W. Wilson\/Moment in Time and Metropolis)\u00ab<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline; color: #cc0077;\">14 April<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\">Collections and Documentation<\/span><\/strong><br \/>\n<strong><span style=\"text-decoration: underline; color: #cc0077;\"> Introductory remarks<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairman: Roger Coenen, <em>General Secretary of the ESHPh<\/em><\/span><\/p>\n<p>John Burnett, <em>Science Museum, London<\/em><br \/>\n<strong>\u00bbDocumenting (Computerising) the Science Museum\u2019s Photographic Collection\u00ab<\/strong><\/p>\n<p>Nigel Thorp, <em>Glasgow University Library<\/em><br \/>\n<strong>\u00bbThe Early Photographic Collections in Glasgow University Library\u00ab<\/strong><\/p>\n<p>Roy Flukinger, <em>University of Texas, Austin<\/em><br \/>\n<strong>\u00bbThe Sleeping Photograph\u00ab<\/strong><\/p>\n<p>Elizabeth Edwards, <em>Pitt Rivers Museum, Oxford<\/em><br \/>\n<strong>\u00bbHistorical Photograph Collections and Ethnography\u00ab<\/strong><\/p>\n<p>Colin Manton, <em>Museum of London<\/em><br \/>\n<strong>\u00bbBillingsgate: Recording London\u2019s Wholesale Fish Market\u00ab<\/strong><\/p>\n<p>Norman McCord, <em>Newcastle University<\/em><br \/>\n<strong>\u00bbCataloguing a Photography Collection using the \u2018Cardbox\u2019 Programme\u00ab<\/strong><\/p>\n<p>Helmut Gernsheim, <em>Castagnola<\/em><br \/>\n<strong>\u00bbGernsheim on Gernsheim\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>11\u201414 April 1985, National Museum of Photography, Film &amp; Television, Bradford\/UK<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/41"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":31,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/41\/revisions"}],"predecessor-version":[{"id":836,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/41\/revisions\/836"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=41"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=41"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}