<\/p>\n
23 September<\/strong><\/span> 24 September<\/span><\/strong> Anna Auer, Board of the Photographic Society of Vienna<\/em> Pierre Cordier, photographer, artist, Brussels<\/em> Branibor Debeljkovic, photographer, author, Belgrad<\/em> Irwin Dermer, photographer, Z\u00fcrich<\/em> Johan De Zoete, Johan Enschede Museum, Al Haarlem<\/em> Michael Gray, Head of Photographic Studies, Faculty of Art & Music, BCHE, Bath<\/em> Chairman: Margarete Harker<\/span><\/p>\n Malcolm Horward, Curator of the East Anglian Photographic Collection, University of East Anglia, Norwich<\/em> Julie Lawson, Research Assistant, Scottish National Portrait Gallery, Edinburgh<\/em> Audrey Linkman, Manchester Polytechnic<\/em> Melinda B. Parsons, Assistant Professor in Art History, Memphis State University Claudia Gabriele Philipp, Lecturer, University Trier und Fachhochschule Bielefeld<\/em> Gunther Waibl, Independent writer, editor at the RAI-Television, Bolzano<\/em> Karl Steinorth, Head of the Kodak Press Information Office, Stuttgart<\/em> Franco Bonilauri, Instituo per il Beni Culturali e Naturali van de Italiaance provincie Emilia-Romagna, Bologna<\/em> William Buchanan, Head of the School of Fine Art, Glasgow School of Art<\/em> Jose Manuel Torres, Barcelona<\/em> Larry Schaaf, Carnegie Research Fellow at the University St Andrews, independent researcher, writer and consul tant, Baltimore<\/em> Steven F. Joseph, depuis 1985, r\u00e9dacteur au sein du programme ESPRIT \u00e0 la commission des Communaut\u00e9s Europ\u00e9ennes<\/em> Mark Van Gyseghem, researcher, author, Gent<\/em> Laurent Roosens, Antwerp<\/em> 10 Years Jubilee of the ESHPh 23\u201425 September 1988, Provinci aal Museum voor Fotografie, Antwerp\/BE<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/43"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":14,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"predecessor-version":[{"id":276,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/43\/revisions\/276"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWerner Neite, Historisches Museum der Stadt K\u00f6ln<\/em>
\nIntroduction to the exhibition \u2018Photography as Book Illustration\u00b4<\/strong><\/p>\n
\nChairman: Roger Coenen, General Secretary of the ESHPh<\/em><\/span><\/p>\n
\n\u00bbTrude Fleischmann: Vienna in the thirties\u00ab<\/strong><\/p>\n
\n\u00bbLe Chimigramme\u00ab<\/strong><\/p>\n
\n\u00bbAnastas Jovanovic: Ein unbekannter serbischer Talbotypist\u00ab<\/strong><\/p>\n
\n\u00bbImage development and conservation\u00ab<\/strong><\/p>\n
\n\u00bbFrom Ni\u00e9pce to Meisenbach \u2013 A demanding investigation\u00ab<\/strong><\/p>\n
\n\u00bbThe Photographic Ritual\u00ab<\/strong><\/p>\n
\n\u00bbHistorical Film and Plate Speed System\u00ab<\/strong><\/p>\n
\n\u00bbThe Accomplished Amateurs\u00ab<\/strong><\/p>\n
\n\u00bbItinerant Photographers in nineteenth century Britain\u00ab<\/strong><\/p>\n
\n<\/em>\u00bb\u203aA Terrible Truthfulness\u2039: Modernity and Modernism in Barnard Shaw\u2019s<\/strong>
\n Writing on Photography, 1880-1920\u00ab<\/strong><\/p>\n
\n\u00bbZur Interpretation von August Sanders Projekt `Menschen des 20. Jahrhunderts\u2019\u00ab<\/strong><\/p>\n
\n\u00bbPflug gegen Strommasten \u2013 Fotosprache als politisches Instrument in S\u00fcdtirol 1919-1945\u00ab<\/strong><\/p>\n
\n\u00bbAus den Kindertagen: der Schnappschuss Fotografie\u00ab
\n<\/strong>
\n25 September<\/span><\/strong><\/span>
\nChairman: Laurent Roosens<\/span><\/p>\n
\n\u00bbLo spazio grafico \u2013 fotografico in Piranesi e in Alinari\u00ab<\/strong><\/p>\n
\n\u00bbJames Craig Annan in The Netherlands, 1882\u00ab<\/strong><\/p>\n
\n\u00bbLe docteur Gin\u00e9 et les origines de la photographie hospitali\u00e8re \u00e0 Barcelone\u00ab<\/strong><\/p>\n
\n\u00bbWilliam Henry Fox Talbot\u2019s Pencil of Nature: History and Craft\u00ab<\/strong><\/p>\n
\n\u00bbFrom Michiels to Marissiaux: Photography and the book in Belgium in the Nineteenth century\u00ab<\/strong><\/p>\n
\n\u00bbSocial-Photography in Ghent after 1900\u00ab<\/strong><\/p>\n
\n\u00bbAlbrecht Breyer. De eerste reflectografie en haar verdere ontwikkeling\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"