
{"id":45,"date":"2015-11-17T17:08:41","date_gmt":"2015-11-17T16:08:41","guid":{"rendered":"http:\/\/www.eshph.org\/symposium\/?p=45"},"modified":"2019-03-08T14:28:35","modified_gmt":"2019-03-08T13:28:35","slug":"1989-veveych","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/symposium\/2015\/11\/17\/1989-veveych\/","title":{"rendered":"5th International Symposium"},"content":{"rendered":"<h3>150th Anniversary of the Invention of Photography<\/h3>\n<h6>29 June to 2 July 1989, Centre Doret, Vevey\/CH<\/h6>\n<div id=\"attachment_839\" style=\"width: 1824px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-839\" class=\"wp-image-839 size-full\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_3.jpg\" alt=\"1989_3\" width=\"1814\" height=\"684\" srcset=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_3.jpg 1814w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_3-300x113.jpg 300w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_3-1024x386.jpg 1024w\" sizes=\"(max-width: 1814px) 100vw, 1814px\" \/><\/a><p id=\"caption-attachment-839\" class=\"wp-caption-text\">Roger Kockaerst \u2013 Photographic conservator, Brussels (B), Claude-Henry Forney \u2013 Head, Mus\u00e9e suisse de l\u2019appareil photographique \u2013 Vevey (CH), Michel Auer \u2013 Collector of photographs &amp; cameras \u2013 President of the Centre de la Photographie, Gen\u00e8ve (CH), Irwin Dermer \u2013 Photographer, artist, Meilen (CH), Hannelore Huber \u2013 Exhibition manager, Technical Museum, Vienna (A), Ritva Keski-Korhonen \u2013 Head, The Finnish Museum of Photography, Helsinki (FIN), Johan de Zoete \u2013 Photo &amp; printing historian, Utrecht (NL), Georges Vercheval \u2013 Head, Musee de la Photographie, Charleroi (B), Anna Aue \u2013 Board of the Photographic Society in Vienna (A), Helmut Gernsheim \u2013 Photo historian, Lugano-Castagnola (CH), Miriam Roosens \u2013 Mortsel \/ Antwerp (B), Laurent Roosens \u2013 First President of the ESHPh, Mortsel \/ Antwerp (B), Robert Lassam \u2013 Curator, Fox Talbot Museum, Lackock Abbey (UK), Peter Schicht \u2013 Photographer, Berlin (G), Jos\u00e9 Manual Torres \u2013 Barcelona (E), Miguel Galmes \u2013 Head, Institut d\u2019Estudis Fotogr\u00e0fics de Catalunya, Barcelona (E), Allan Porter \u2013 former Editor-in-chief of Camera, Luzern (CH), Alistair Crawford \u2013 Head, Dep. of Visual Art, University of Wales, Aberystwyth (UK), Karl Steinorth \u2013 Vice-President of the ESHPh, Stuttgart (G), Uwe Scheid \u2013 Collector of photographs &amp; cameras, Saarbr\u00fccken (G), Jean-Louis Marignier \u2013 Scientist researcher, National Center for Scientific Research (cnrs), Paris (F), Paul Jay \u2013 Head, Mus\u00e9e Ni\u00e9pce, Chalon-sur-Sa\u00f4ne (F), Urs Tilmman \u2013 Editor-in-chief of Photographie, Zuerich (CH), Roger Erlandsen \u2013 Head, National Institute for Historical Photography, Oslo (N), Andr\u00e9 Fage \u2013 Conservator-in-chief, Mus\u00e9e francais de la photographie, Bi\u00e8vres (F), Roger Coenen \u2013 Secretary General of the ESHPh, Antwerp (B), Angela Moor \u2013 Photographic conservator, London (UK)<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_837\" style=\"width: 1275px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-837\" class=\"wp-image-837 size-full\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989.jpg\" alt=\"\" width=\"1265\" height=\"686\" srcset=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989.jpg 1265w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989-300x163.jpg 300w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989-1024x555.jpg 1024w\" sizes=\"(max-width: 1265px) 100vw, 1265px\" \/><\/a><p id=\"caption-attachment-837\" class=\"wp-caption-text\">From left to right: Urs Tillmann, Zuerich (CH), Allan Porter, Luzern (CH), Karl Steinorth, Stuttgart (G), Helmut Gernsheim, Lugano\/Castagnola (CH), Ritva Keski-Korhonen, Helsinki (FIN)<\/p><\/div>\n<div id=\"attachment_838\" style=\"width: 890px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-838\" class=\"wp-image-838 size-full\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_2.jpg\" alt=\"\" width=\"880\" height=\"680\" srcset=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_2.jpg 880w, http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/1989_2-300x232.jpg 300w\" sizes=\"(max-width: 880px) 100vw, 880px\" \/><\/a><p id=\"caption-attachment-838\" class=\"wp-caption-text\">From left to Right: Uwe Scheid, Saarbr\u00fccken (G), Roger Kockaert, Brussels (B), Anna Auer, Vienna (A), Hannelore Huber, Vienna (A)<\/p><\/div>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #cc0077;\"><strong>29 June<\/strong><\/span><br \/>\nChairman: Laurent Roosens, <em>President of the ESHPh<\/em><\/span><\/p>\n<p>Andr\u00e9 Rouill\u00e9, <em>r\u00e9dacteur en chef de La Recherche Photographique, Paris<\/em><br \/>\n<strong>\u00bbArt and Photography in 1855\u00ab<\/strong><\/p>\n<p>Arthur Hamber, <em>Birbeck College, Department of History of Art, University of London<\/em><br \/>\n<strong>\u00bbRealism and Aesthetics: Attitude to Early Photographic reproductions of Works of Art\u00ab<\/strong><\/p>\n<p>Margaret Harker-Farrand, <em>Pr\u00e9sident of the ESHPh, Croydon<\/em><br \/>\n<strong>\u00bbPhotography &#8211; An Alternative Medium\u00ab<\/strong><\/p>\n<p>Joan Schwartz, <em>National Archive of Canada, Ottawa<\/em><br \/>\n<strong>\u00bbBehind the Lines: Art, Photography and the Pictorial Press in Canada\u00ab<\/strong><\/p>\n<p><span style=\"color: #cc0077;\"><strong><span style=\"text-decoration: underline;\">30 June<\/span><\/strong><\/span><br \/>\n<span style=\"text-decoration: underline;\">Chairman: Claude-Henri Forney, <em>Head of the Mus\u00e8e Suisse d\u2019appareil photographique, Vevey, CH<\/em><\/span><\/p>\n<p>Charles-Henri Favrod, <em>Directeur du Mus\u00e9e de L\u2019Elys\u00e9e, Lausanne<\/em><br \/>\n<strong>\u00bbVoir autrement\u00ab<\/strong><\/p>\n<p>Daniel Girardin, <em>Conservateur adjoint du Mus\u00e9e de L\u2019Elys\u00e9e, Lausanne<\/em><br \/>\n<strong>\u00bbLes collections du Mus\u00e9e de l\u2019Elys\u00e9e\u00ab<\/strong><\/p>\n<p>Christophe Brandt, <em>Directeur de la Fondation Suisse pour la Conservation et la Restauration du Patrimoine Photographique, Neuch\u00e2chtel<\/em><br \/>\n<strong>\u00bbConservation et restauration du patrimoine photographique suisse et des collections du Mus\u00e9e de l\u2019Elys\u00e9e\u00ab<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #cc0077; text-decoration: underline;\"><strong>1 July<\/strong><\/span><br \/>\nChairman: Dr. Karl Steinorth, <em>Head of Kodak\u2019 s Public Relations Department, Stuttgart<\/em><\/span><\/p>\n<p>Roger Kockaerts, <em>Conseiller priv\u00e9 en photoconversation, restaurateur, Bruxelles<\/em><br \/>\n<strong>\u00bbPerspectives de la photoconservation\u00ab<\/strong><\/p>\n<p>Diana Emery Hulick, <em>assistante professor, School of Art, Arizona State University<\/em><br \/>\n<strong>\u00bbThe Preservation of Electronic Media \u2013 A Philosophic Guide\u00ab<\/strong><\/p>\n<p>Bertrand Lavedrine, <em>ing\u00e9nieur-chimiste au Centre de Recherches sur la Conservation des Documents Graphiques, Paris<\/em><br \/>\n<strong>\u00bbLes triage photographiques du XIXe si\u00e8cle \u2013 Stabilit\u00e9 et restauration\u00ab<\/strong><\/p>\n<p>Jean-Claude Ronceray, <em>Professeur au Lys\u00e9e Technique d\u2019\u00c8tat de retouch e photographique, Paris<\/em><br \/>\n<strong>\u00bbArticulation entre retouche, conservation et restauration des photographies\u00ab<\/strong><\/p>\n<p>Adriaan Verburg, <em>Chemist, independent adviser, lecturer of photography at the Hooger Institute voor Restauration en Conservatie van het Boek, Gent<\/em><br \/>\n<strong>\u00bbModern Digital Techniques for conservation and restauration of photographic images\u00ab<\/strong><\/p>\n<p>M. Edmund M.B. King, <em>Head of Selection and Preservation at the British Library<\/em><br \/>\n<strong>\u00bbIan and Angela Moor &#8211; The conservation of Anna Atkins British Algae\u00ab<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">Chairperson: Prof. Margaret Harker-Farrand<\/span><\/p>\n<p>Paul Jay, <em>Directeur du Mus\u00e9e Ni\u00e9pce, Chalon-sur-Sa\u00f4ne<\/em><br \/>\n<strong>\u00bbNic\u00e9phore Ni\u00e9pce\u00ab<\/strong><\/p>\n<p>Dr. Helmut Gernsheim, <em>auteur d\u2019ouvr ages de r\u00e9f\u00e9rances, Castagnola<\/em><br \/>\n<strong>\u00bbLa premi\u00e8re photo de Ni\u00e9pce\u00ab<\/strong><\/p>\n<p>Andr\u00e9 Fage, <em>Conservateur en Chef du Mus\u00e9e Francais de la Photographie, Bi\u00e8vres<\/em><br \/>\n<strong>\u00bbIl y a 150 ans\u00ab<\/strong><\/p>\n<p>Robert Lassam, <em>Curator of the Fox Talbot Museum, Lacock Abbey<\/em><br \/>\n<strong>\u00bbFox Talbot, the father of modern photography\u00ab<\/strong><\/p>\n<p>Anna Auer, <em>Comit\u00e9 de Direction de la Photographic Society in Vienna<\/em><br \/>\n<strong>\u00bbAndreas Knight of Ettingshausen (1796-1878); Photographic Society in Vienna (PhGW)\u00ab<\/strong><\/p>\n<p>Ellen Sharp, <em>Curator of Graphic Arts at the Detroit Institute of Arts, Detroit<\/em><br \/>\n<strong>\u00bbPhotographs of Walt Whitman\u00ab<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #cc0077; text-decoration: underline;\"><strong>2 July<\/strong><\/span><br \/>\nChairman: Paul Jay, <em>Maitrise d\u2019histoire de l\u2019art, Directeur du Mus\u00e9e Ni\u00e9pce, Chalon-sur-Sa\u00f4ne, France<\/em><\/span><\/p>\n<p>Jean-Luc Dufay, <em>professeur certifi\u00e9 d\u2019histoire-g\u00e9ographie, Poligny<\/em><br \/>\n<strong>\u00bbLouis Dufay (1874 &#8211; 936) pionnier de la photographie et du cin\u00e9ma en couleurs\u00ab<\/strong><\/p>\n<p>Sara Stevenson, <em>Curator of Photography, Scottish National Portrait Gallery, Edinburgh<\/em><br \/>\n\u00bb<strong>James Cox (1849 &#8211; 1901) Painter and Photographer\u00ab<\/strong><\/p>\n<p>Eric Homberger, <em>Reader in American Literature at the University of East Anglia, Norwich<\/em><br \/>\n<strong>\u00bbWhat is a \u2018sincere\u2019 Photograph?\u00ab<\/strong><\/p>\n<p>Jos\u00e9 Manuel Torres, <em>Barcelona<\/em><br \/>\n<strong>\u00bbLa Photographie et l\u2019Excursionnisme photographique catalan (1876 \u2013 1936)\u00ab<\/strong><\/p>\n<p>Michel Auer, <em>Pr\u00e9sident du Centre de la Photographie \u00e0 Gen\u00e8ve et \u00e9diteur d\u2019ouvrages de r\u00e9f\u00e9rences, Hermance<\/em><br \/>\n<strong>\u00bbA propos du mur qui s\u00e9pare l\u2019image de l\u2019appareil photographique\u00ab<\/strong><\/p>\n<p>Chairman: Roger Coenen, <em>Mus\u00e9e Provincial de la Photographie, Anvers<\/em><\/p>\n<p>Isabel Ortega, <em>Section de Photographie du Cabinet des Beaux Arts, Biblioth\u00e8que nationale, Madrid<\/em><br \/>\n<strong>\u00bbLes fond photographiques de la biblioth\u00e8que nationale de Madrid et la strat\u00e9gie de sa classification\u00ab<\/strong><\/p>\n<p>Montserrat Blanch Almuzara, <em>Barcelona<\/em><br \/>\n<strong>\u00bbL\u2019Arxiu Mas\u2019 et l\u2019instituto Amatller de Arte Hispanico\u00ab<\/strong><\/p>\n<p>Johan de Zoete, <em>photo &amp; printing historian, Fine Art Printer, Utrecht<\/em><br \/>\n<strong>\u00bbThe practical reconstruction of old processes: a way to understand history\u00ab<\/strong><\/p>\n<p>Irwin Dermer, MA (New York University), <em>photographer, Meilen<\/em><br \/>\n<strong>\u00bbBeyond Photography\u00ab<\/strong><\/p>\n<p>Urs Tillmanns, <em>Chefredaktor Photographie, Schaffhausen<\/em><br \/>\n<strong>\u00bbTwo Swiss pioneers of Photography\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>150th Anniversary of the Invention of Photography 29 June to 2 July 1989, Centre Doret, Vevey\/CH<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[89],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/45"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":17,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":845,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/45\/revisions\/845"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}