<\/p>\n
29 September<\/span><\/strong><\/p>\n A. D. Coleman, photographic critic for the New York Observer, and commentator on photography for National Public Radio, New York<\/em> Weston Naef, curator of Photographs at The J. Paul Getty Museum, Malibu<\/em> Ulrich Pohlmann, art\/photo historian, Munich<\/em> Jan Erik Lundstr\u00f6m, photographer, lecturer and author, \u00d6jebyn<\/em> J. A. Schmoll gen. Eisenwerth, art historian, Munich<\/em> Ingeborg Leijerzapf, art historian, University Leiden<\/em> Jane Carmichael, Imperial War Museum, London<\/em> Peeter Tooming, Director-cameraman of documentaries at Tallin Film Studio, Estonia, International Advisory Board of the journal History of Photography<\/em> 30 September 1989<\/strong><\/span><\/p>\n Rune Hassner, (Founding Member of the ESHPh, 1977), Vice-President of the ESHPh, photographer, director and curator of the Hasselblad Centre in G\u00f6teborg<\/em> Karl Steinorth, Board of the ESHPh, Head of Kodak\u2019s Public Relations Department, Stuttgart<\/em> Philip Stokes, Senior Lecturer, Department of Visual Arts, Trent Polytechnic, Nottingham<\/em> Margaret Harker-Farrand, President of the ESHPh, Chairman of the Photographer\u2019s Gallery<\/em> Lennart Nilsson, photographer, Honorary Doctor of Medicine in Stockholm<\/em> Helmut Gernsheim, collector, writer and lecturer, Honorary Member of the ESHPh, Castagnola<\/em> 28 September 1989, Department of Design and Crafts, Gothenburg\/SE<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/47"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":6,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/47\/revisions"}],"predecessor-version":[{"id":278,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/47\/revisions\/278"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=47"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=47"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00bb(Re) Making History: The Social Construction of Photography\u00ab<\/strong><\/p>\n
\n\u00bbTruth is beauty, beauty truth: a Survey of 150 Years of Photography\u00ab<\/strong><\/p>\n
\n\u00bbThe History of Photographic Exhibitions: Photography between Art, Industry And Propaganda\u00ab<\/strong><\/p>\n
\n\u00bbPhotography and the Mirror of Culture \u2013 the Histories of Photography\u00ab<\/strong><\/p>\n
\n\u00bbRelations between Art and Photography \u2013 some Aspects\u00ab<\/strong><\/p>\n
\n\u00bbPhoto History Research at the Leiden University\u00ab<\/strong><\/p>\n
\n\u00bbFirst World War Photographers\u00ab<\/strong><\/p>\n
\n\u00bbThe History of Photography in Estonia\u00ab<\/strong><\/p>\n
\n\u00bbUSSR in Construction, the Russian pioneer picture magazine of the 1930s\u00ab<\/strong><\/p>\n
\n\u00bbThe \u2018Film and Foto\u2019 Exhibition in Germany in 1929\u00ab<\/strong><\/p>\n
\n\u00bbPhotographs as Cultural Nexus: the work of Edward Cahen\u00ab<\/strong><\/p>\n
\n\u00bbPluralism in the Historiography of Photography\u00ab<\/strong><\/p>\n
\n\u00bbPhotographing the Invisible\u00ab<\/strong><\/p>\n
\n\u00bbNic\u00e9phore Ni\u00e9pce, Inventor of Photography\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"