
{"id":49,"date":"2015-11-17T17:09:43","date_gmt":"2015-11-17T16:09:43","guid":{"rendered":"http:\/\/www.eshph.org\/symposium\/?p=49"},"modified":"2019-03-08T14:38:05","modified_gmt":"2019-03-08T13:38:05","slug":"1991-toulousefr","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/symposium\/2015\/11\/17\/1991-toulousefr\/","title":{"rendered":"7th International Symposium"},"content":{"rendered":"<h6>27 to 29 June 1991, Galerie du Chateau d\u2019Eau, Toulouse\/FR<\/h6>\n<div id=\"attachment_375\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/ESHPh_toulouse_1991_Roosens.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-375\" class=\"wp-image-375\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/ESHPh_toulouse_1991_Roosens.jpg\" alt=\"Group picture symposium 1991 Toulouse\/FR\" width=\"610\" height=\"407\" \/><\/a><p id=\"caption-attachment-375\" class=\"wp-caption-text\">Among others, following persons can bee seen on this picture: Margaret Harker Farrand \u2013 President of the ESHPh, Croydon\/Surrey (UK), Karl Steinorth \u2013 Vice-President of the ESHPh, Stuttgart (G), Laurent Roosens \u2013 First President of the ESHPh, Mortsel \/ Antwerp (B), Miriam Roosens, Mortsel \/ Antwerp (B), Claude-Henri Forney \u2013 Head, Mus\u00e9e suisse de l\u2019appareil photographique, Vevey (CH), Jean-Ren\u00e9 Beguin \u2013 Minist\u00e8re de la Culture, Paris (F), Jean Dieuzaide \u2013 Photographer, Toulouse (F), Moulay El Quizzani \u2013 Historian, Paris (F), Christine Roger \u2013 Soci\u00e9t\u00e9 francaise de photographie, Paris (F), Peter Schicht \u2013 Photographer, Berlin (G), Georges Vercheval \u2013 Head, Mus\u00e9e de la Photographie, Charleroi (F), Anna Auer \u2013 Board of the Photographic Society of Vienna (A), Serge N\u00e8gre \u2013 Head, Arthur Batut L\u2019Espace photographique, Labrugi\u00e8re (F), Jos\u00e9 Manuel Torres \u2013 Historian, Barcelona (E)<\/p><\/div>\n<p><!--more--><\/p>\n<p>Anna Auer, <em>Board of the Photographic Society in Vienna<\/em><br \/>\n\u00bb<strong>Karl Klic, l\u2019inventeur de la Photogravure (Vienne, 1841-1926)\u00ab<\/strong><\/p>\n<p>Claude Bedat, <em>Professeur d\u2019Histoire de l\u2019Art, Universit\u00e9 de Toulouse le Mirail<\/em><br \/>\n<strong>\u00bbLe texte et l\u2019image dans l\u2019expression artistique du d\u00e9but du Xxe si\u00e8cle\u00ab<\/strong><\/p>\n<p>Jean-Ren\u00e9 B\u00e9guin, <em>Secr\u00e9taire de Documentation au Service des Archives Photographiques du Minist\u00e8re de la Culture, Paris<\/em><br \/>\n<strong>\u00bbDu Corps Noir \u00e0 la T\u00eate de M\u00e9duse\u00ab<\/strong><\/p>\n<p>Miquel Calmes I Creus, <em>Institut d\u2019Estudis Fotografica de Catalunya, Barcelona<\/em><br \/>\n<strong>\u00bbWERLISA \u2013 Le dernier appareil photographique fabriqu\u00e9 en Espagne\u00ab<\/strong><\/p>\n<p>Marianne Caron, <em>Pr\u00e9sidente de l\u2019Association Gilles Caron, photographe et journaliste<\/em><br \/>\n<strong>\u00bb\u2018Gilles Caron : Photographe et Journaliste\u2019. Audiovisuel de 15\u2019 du \u00e0 l\u2019obligeance des Rencontres d\u2019Arles. R\u00e9alisateur : Marc FLORES\u00ab<\/strong><\/p>\n<p>Michel Delaborde, <em>po\u00e8te et photograph, inspecteur G\u00e9n\u00e9ral pour l\u2019Audiovisuel, Minist\u00e8re de la Culture, Paris<\/em><br \/>\n<strong>\u00bbLe R\u00e9el Imaginaire. \u2018L\u2019Art c\u2019est le R\u00e9el traqu\u00e9 par l\u2019imaginaire\u2019 M. Yourcenar\u00ab<\/strong><\/p>\n<p>Jean Dieuzaide, <em>Directeur Artis tique de la Galerie du Ch\u00e2teau d\u2019Eau, Toulouse<\/em><br \/>\n<strong>\u00bbCharles FABRE \u2013 1851-1933, Chercheur, Photographe et Professeur de Photographie \u00e0 l\u2019Universit\u00e9 Paul Sabatier en 1892\u00ab<\/strong><\/p>\n<p>Moulay El Ouzzani, <em>chercheur en histoire et techniques de la photographie, Paris<\/em><br \/>\n<strong>\u00bbLumi\u00e8re sur la Chambre Noir \u2013 2 000 ans de d\u00e9bats sur la Camera Obscura.<\/strong><br \/>\n<strong> Une vintage d\u2019\u0153uvres photographiques de Mr. El OUAZZANI et r\u00e9alis\u00e9es selon des proc\u00e9d\u00e9s anciens seront expos\u00e9es parall\u00e8lement au Symposium\u00ab<\/strong><\/p>\n<p>Michael William Gray, <em>Curator, Fox Talbot Museum, Lacock Abbey<\/em><br \/>\n<strong>\u00bbNew light on the relationship between the English and French Photographic savants, 1839-1847\u00ab<\/strong><\/p>\n<p>Patricia Mac Donald, <em>Scottish National Portrait Gallery, Edinburgh<\/em><br \/>\n<strong>\u00bbAerial Perspectives\u00ab<\/strong><\/p>\n<p>Serge Negre, <em>Directeur du Mus\u00e9e Arthur Batut de Labrugiere<\/em><br \/>\n<strong>\u00bbArthur BATUT, 1846-1918, Arch\u00e9ologue, historien et passionn\u00e9 de photographie, inventeur du portrait-type et de la photographie par Cerf-Volant\u00ab<\/strong><\/p>\n<p>Bernardo Riego, <em>professeur, Universidad de Cantabria, Santander<\/em><br \/>\n<strong>\u00bbL\u2019Espagne face au d\u00e9fi culturel et technologique de la Photographie, 1839-1840\u00ab<\/strong><\/p>\n<p>Christiane Roger, <em>Secr\u00e9taire G\u00e9n\u00e9rale de la Soci\u00e9t\u00e9 Francaise de Photographie, Paris<\/em><br \/>\n<strong>\u00bbLa Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie de 1854 \u00e0 1991. (Doyenne de Soci\u00e9t\u00e9s de Photographie cr\u00e9\u00e9es dans le monde)\u00ab<\/strong><\/p>\n<p>Dominique Roux, <em>Responsable du Centre de Documentation de la Galerie du Ch\u00e2teau d\u2019Eau, Toulouse<\/em><br \/>\n<strong>\u00bbToulouse-Lautrec, Autoportraitiste\u00ab<\/strong><\/p>\n<p>Fran\u00e7ois Saint-Pierre, <em>photograph<\/em><br \/>\n<strong>\u00bbDucos du Hauron aurait-il invent\u00e9 la Photographie couleur \u00e0 Lectoure, Gers, France?\u00ab<\/strong><\/p>\n<p>Pr. Angelo Schwarz, <em>Accademia di Belli Arti, Venezia; Universit\u00e9 de Picardie, Amiens<\/em><br \/>\n<strong>\u00bbPer una storia del Mediterraneo dei fotografi e delle fotografie\u00ab<\/strong><\/p>\n<p>Pr. Jos\u00e9 Manuel Torres, <em>Universit\u00e9 de Barcelone<\/em><br \/>\n<strong>\u00bbBarcelone et le Daguerr\u00e9otype en 1839\u00ab<\/strong><\/p>\n<p>Georges Vercheval, <em>Directeur du Mus\u00e9e de la Photographie \u00e0 Charleroi<\/em><br \/>\n<strong>\u00bbPictorialisme et Post- Pictorialisme en Belgique\u00ab<\/strong><\/p>\n<p>Comtesse H\u00e9l\u00e8ne Zamoiska, <em>Professeur de Russe, Universit\u00e9 de Toulouse le Mirail<\/em><br \/>\n<strong>\u00bbLeonid Andr\u00efev, 1871\u20131919 : L\u2019\u00e9crivain et la Photographie\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>27 to 29 June 1991, Galerie du Chateau d\u2019Eau, Toulouse\/FR<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/49"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":10,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":847,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/49\/revisions\/847"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}