<\/p>\n
Introduction: Ray McKenzie, lecturer at Glasgow\u2019s School of Art, Glasgow<\/em> A. D. Morrison -Low, National Museum of Scotland, Edinburgh<\/em> William Buchanan, former Head of Fine Art, Glasgow School of Art<\/em> Margaret F Harker, President of the ESHPh, Emeritus Professor of History of Photography of the University of Westminster, London<\/em> Anna Auer, Board of the Photographic Society in Vienna<\/em> Bernardo Riego, University of Cantabria<\/em> Giuliana Scim\u00e9, photographic critic and art historian, Milano<\/em> Michael Roschlau, Glasgow School of Art<\/em> Michael Gray, Curator, Fox Talbot Museum, Lacock Abbey<\/em> Mike Ware, Honorary Fellow in Chemistry, University of Manchester<\/em> In association of The Scottish Society for the History of Photography 24 to 26 September 1992, The National Museum of Scotland, Edinburgh\/UK<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/53"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":9,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/53\/revisions"}],"predecessor-version":[{"id":270,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/53\/revisions\/270"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00bbPictoralism and its Malcontents\u00ab<\/strong><\/p>\n
\n\u00bbDr. John Adamson and Thomas Rodger: Amateur and Professional Photography in Nineteenth-century St Andrews\u00ab<\/strong><\/p>\n
\n\u00bbThe Art of the Photographer: J Craig Annan\u00ab<\/strong><\/p>\n
\n\u00bbThe Linked Ring: Philosophy and Aesthetics\u00ab<\/strong><\/p>\n
\n\u00bbThe Vienna Trifolium: Hans Watzek, Heinrich K\u00fchn and Hugo Henneberg\u00ab<\/strong><\/p>\n
\n\u00bbLuis de Ochar\u00e1n\u2019s Photographic \u2018Quixote\u2019: Between the Spanish Historical Pictorial Tradition and the New Cinematographic Aesthetics\u00ab<\/strong><\/p>\n
\n\u00bbGuido Rey\u00ab<\/strong><\/p>\n
\n\u00bbThe Art of Photogravure\u00ab<\/strong><\/p>\n
\n\u00bbCarbon Printing: Black as a Colour\u00ab<\/strong><\/p>\n
\n\u00bbThe Eighth Metal: The Rise of Platinotype Process\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"