
{"id":65,"date":"2015-11-17T17:14:06","date_gmt":"2015-11-17T16:14:06","guid":{"rendered":"http:\/\/www.eshph.org\/symposium\/?p=65"},"modified":"2015-12-09T22:40:46","modified_gmt":"2015-12-09T21:40:46","slug":"1999-udineit","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/symposium\/2015\/11\/17\/1999-udineit\/","title":{"rendered":"16th International Symposium"},"content":{"rendered":"<h3>Photography in Italy<\/h3>\n<h6>5 to 8 May 1999, University, Udine\/IT<\/h6>\n<div id=\"attachment_377\" style=\"width: 469px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/ESHPh_udine_1999.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-377\" class=\" wp-image-377\" src=\"http:\/\/www.eshph.org\/symposium\/wp-content\/uploads\/sites\/3\/2015\/11\/ESHPh_udine_1999.jpg\" alt=\"Group picture symposium 1999 Udine\/IT\" width=\"459\" height=\"318\" \/><\/a><p id=\"caption-attachment-377\" class=\"wp-caption-text\">Group picture symposium 1999 Udine\/IT<\/p><\/div>\n<p><!--more--><\/p>\n<p><span style=\"color: #cc0077;\"><strong><span style=\"text-decoration: underline;\">6 May 1999<\/span><\/strong><\/span><br \/>\n<span style=\"color: #cc0077;\"><strong><span style=\"text-decoration: underline;\"> Lecture Session: Photography in Italy<\/span><\/strong><\/span><br \/>\n<span style=\"text-decoration: underline;\"> Chairperson: Margaret Harker, <em>President of the ESHPh<\/em><\/span><\/p>\n<p>Michael Jacob, <em>Member of the Daguerreian Society, Spoleto<\/em><br \/>\n<strong>\u00bb\u2018Il Lucifero\u2019 and the Introduction of the Daguerreotypie into Naples in 1839\u00ab<\/strong><\/p>\n<p>Maria Mancini, <em>Professor of Geography, Universit\u00e0 degli Studi di Roma Tre<\/em><br \/>\n<strong>\u00bbPhotography in the History of the Italian Explorations from the Unity (1868) to 1940\u00ab<\/strong><\/p>\n<p>Helmut Kleinsteuber, <em>Member of Club Daguerre, Hatten<\/em><br \/>\n<strong>\u00bbItaly in Early Colour\u00ab<\/strong><\/p>\n<p>David Haberstich, <em>Director of the Photographic Collection at National Museum of American History, Smithsonian Institution, Washington D.C.<\/em><br \/>\n<strong>\u00bbLa Stereoscopia in Italia\u00ab<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">Chairperson: Peter Agius, <em>Oxford, Member of the ESHPh and of the Royal Photographic Society, Bath<\/em><\/span><\/p>\n<p>Marta Braun, <em>professor for Film and Photography, Ryerson Polytechnic University, Toronto<\/em><br \/>\n<strong>\u00bbPhantasms of the Living and the Dead (photographs of Anton Giulio Bragaglia)\u00ab<\/strong><\/p>\n<p>Giuliana Scim\u00e9, <em>professor, art critic, Milano<\/em><br \/>\n<strong>\u00bbThe Bragaglia Brothers\u00ab<\/strong><\/p>\n<p>Kan Damy, <em>Professor at the Academy of Fine Arts of Milano<\/em><br \/>\n<strong>\u00bbGruppo La Bussola (the important development for art and photography in the 1940\u2019s and 1950\u2019s)\u00ab<\/strong><\/p>\n<p>Cesare Colombo, <em>photographer<\/em><br \/>\n<strong>\u00bbLost Italy, Piero Donzelli Photographer\u00ab<\/strong><\/p>\n<p>Monica Maffioli, <em>Curator at the Museo di Storia della Fotografia Fratelli Alinari Florenz<\/em><br \/>\n<strong>\u00bbAlinari: A Photographic Dynasty. From the Origins of the Photographic Atelier to the Industrial Era (1852-1890) Museo Fratelli Alinari\u00ab<\/strong><\/p>\n<p>Margaret Harker<br \/>\n<strong>\u00bbDifferent Ways of Seeing\u00ab<\/strong><\/p>\n<p>Colin Osman, <em>Editor of Photo Historian, Royal Photographic Society, Bath<\/em><br \/>\n<strong>\u00bbThe Beato Brothers\u00ab<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline; color: #cc0077;\">7 May 1999<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairperson: Giuliana Scim\u00e9, <em>professor, art critic, Milano<\/em><\/span><br \/>\n<span style=\"text-decoration: underline;\"> Research Topics<\/span><\/p>\n<p>Anna Auer, <em>photo researcher, Vienna<\/em><br \/>\n<strong>\u00bbThe Photogram \u2013 A Highly Imaginative Contribution to the Art\u00ab<\/strong><\/p>\n<p>Roger Erlandsen, <em>Director Documentation Department of the Directorate for Cultural Heritage, Oslo<\/em><br \/>\n<strong>\u00bbDemography and Economy of the Norwegian Professional Photographers 1860-1980\u00ab<\/strong><\/p>\n<p>Jens J\u00e4ger, <em>Universit\u00e4t Hamburg<\/em><br \/>\n<strong>\u00bbPolice Photography \u2013 a reconsideration\u00ab<\/strong><\/p>\n<p>Gudbrandur Benediktsson, <em>Curator at the Museum of Photography, Reykjavic<\/em><br \/>\n<strong>\u00bbCollecting Collections: problems of perception and definition\u00ab<\/strong><\/p>\n<p>Maurizio Rebuzzini, <em>collector of photographs, editor<\/em><br \/>\n<strong>\u00bbPhotographers in the Cinema\u00ab<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">Chairperson: Roger Erlandsen<\/span><\/p>\n<p>David Faddy, <em>Head of Photography and Dean of the School of Communication at the University of Westminster, London<\/em><br \/>\n<strong>\u00bbThe Image of Politics\u00ab<\/strong><\/p>\n<p>Karl Steinorth, <em>1st Vice-President of the ESHPh (retired from Kodak), President of the Deutsche Gesellschaft f\u00fcr Photographie (DGPh) in Cologne<\/em><br \/>\n<strong>\u00bbfoto-forum\u00ab<\/strong><\/p>\n<p>Audrey Linkman, <em>researcher, Manchester Metropolitan University<\/em><br \/>\n<strong>\u00bbNot dead but Sleeping (post mortem photography)\u00ab<\/strong><\/p>\n<p>Ted Welch, <em>Lecturer at the University of Westminster (Contemporary Media Praxis), London<\/em><br \/>\n<strong>\u00bbThe Future of Photography in a Digital Age with a Focus on Italy\u00ab<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline; color: #cc0077;\">Lecture Session: Photography in Italy<\/span><\/strong><br \/>\n<span style=\"text-decoration: underline;\"> Chairperson: Miguel Galmes, Barcelona<\/span><\/p>\n<p>Pamela Paulien, <em>historian, specialized of photography, Madrid<\/em><br \/>\n<strong>\u00bbSoldier Photographers: Images of the 10th Mountain Division during the Italian Campaign 1945\u00ab<\/strong><\/p>\n<p>Ray McKenzie, <em>lecturer, Glasgow School of Art, Scotland<\/em><br \/>\n<strong>\u00bbThe Noble Shape of a Long-Decaying Corpse: Robert MacPherson and the Depiction of 19th Century Rome\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photography in Italy 5 to 8 May 1999, University, Udine\/IT<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/65"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":10,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"predecessor-version":[{"id":447,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/65\/revisions\/447"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}