<\/p>\n
11 November<\/span><\/span><\/strong><\/p>\n Introduction:<\/span> Johan Swinnen, Professor at the Faculty of Art Science and Archaeology at the Free University of Brussels<\/em> Chairman: Roger Erlandsen, 2nd President of the ESHPh, Oslo<\/em><\/span><\/p>\n Rolf Sachsse, Dean of the Department of Design, Niederrhein University of Applied Science, Krefeld<\/em> Tamara Berghmans, Faculty of Art Science and Archaeology at the Free University of Brussels<\/em> Colin Ford, Head of the National Museum of Photography, Film & Television, Bradford<\/em> Chairman: A.D. Coleman<\/span><\/p>\n Louis Kaplan, Assistant Professor of History and Theory of Photography and New Media at the University of Toronto<\/em> Magda Kardasz, Curator at Galerie Zach\u2019 ta, Warsaw<\/em> Juri G. Brilts, Development Specialist at California State University, Chico<\/em> Ivan D\u2019hondt, Doctoral Candidate at the Faculty of Art Science and Archaeology at the Free University of Brussels<\/em> Anton\u00edn Dufek, Head Curator of the Department of Photography, Moravsk\u00e1 galerie in Brno<\/em> 12 November<\/span><\/strong> Geoffrey Batchen, Teaches the History of Photography at the Graduate Centre of the City University of New York<\/em> Annette W. Balkema, philosopher, curator and editor of a Series of Philosophy of Art & Theory, Amsterdam<\/em> Monika Schw\u00e4rzler, Adjunct Professor at the Department of Visual Culture at Webster University Vienna<\/em> Willem Elias, Professor at the Department of Socio-Cultur al Theory and Art and Cultural Sciences at the Free University of Brussels<\/em> Chairman: Terry Barrett<\/span><\/p>\n Klaus Honnef, Curator and Professor of the Theory of Photography at the University Kassel<\/em> Anna Auer, President of the ESHPh, researcher, writer, curator, Vienna<\/em> Xavier Canonne, Director of the Museum of Photography, Charleroi, Belgium<\/em> Mulugeta Taffesse, artist and Laureate of the Higher Institute for Fine Arts, Antwerp<\/em> Lynne Cohen, artist and Professor at the Department of Visual Arts, University of Ottawa<\/em> 13 November<\/span><\/strong> Terry Barrett, Professor of Art Education at the Ohio State University, Columbus<\/em> Jan-Erik Lundstr\u00f6m, Director of Bildmuseet in Umea<\/em> Liz Wells, lecturer in Media Arts, School of Art and Humanities, University of Plymouth<\/em> Wim Wauman, artist and Candidate-Laureate of the Higher Institute for Fine Arts, Antwerp<\/em> Chairman: A. W. Balkema<\/span><\/p>\n A.D. Coleman, recipient of the 2002 Kulturpreis of Deutsche Gesellschaft f\u00fcr Photographie<\/em> Theo Derksen, photographer, tutor and Coordinator at the Department Visual Communication, Academy of Visual Arts, Maastricht<\/em> Krystyna Bartnik, curator, Wroclaw (Breslau)<\/em> Ben Baruch Blich, lecturer at the Bezalel Academy of Art and Design in Jerusalem. Senior Lecturer at the School of Communication and at the Levinski College of Education<\/em> Ulay, artist<\/em> BOXED 11 to 13 November 2002, Academy of Visual Art, Hogeschool Zuyd, Maastricht\/NL<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/71"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":7,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/71\/revisions"}],"predecessor-version":[{"id":284,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/71\/revisions\/284"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=71"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=71"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAnna Auer, President of the ESHPh, Vienna<\/em><\/p>\n
\n\u00bbStatement BOXED\u00ab<\/strong><\/p>\n
\n\u00bbGerman Paroxysms \u2013 Notes on the Making of a History of Nazi Photography\u00ab<\/strong><\/p>\n
\n\u00bbThe Collection of Photographs of the Pictorialists of the Royal Museums of Art and History Brussels, acquired by the Belgian Government between 1896 and 1901\u00ab<\/strong><\/p>\n
\nCataloguing Julia Margaret Cameron<\/p>\n
\n\u00bbBeings Between: Tony Oursler\u2019s – The Influence Machine as ontological Practice\u00ab<\/strong><\/p>\n
\n\u00bbCould Eastern European Art be understood by the Western Curators?\u00ab<\/strong><\/p>\n
\n\u00bbLatour, Heick, Macauly and Zegart: The California School of Fine Arts (1946 \u2013 1951) and their Instructor Ansel Adams.\u00ab<\/strong><\/p>\n
\n\u00bbBegin at the Beginning. A doctoral Research to the Archeology of Photography at the Free University of Brussels\u00ab<\/strong><\/p>\n
\n\u00bbBoxed Collection of Moravian Gallery in Brno\u00ab<\/strong><\/p>\n
\nChairman: Louis Kaplan<\/span><\/p>\n
\n\u00bbEre the Substance Fade: Photography and memory.\u00ab<\/strong><\/p>\n
\n\u00bbFreeze! What is the space of the new media and its streaming image where intensity, How Paradox and intimacy could occur?\u00ab<\/strong><\/p>\n
\n\u00bbAugust Sander: A psychoanalytic reading\u00ab<\/strong><\/p>\n
\n\u00bbPrejudices in the History of the Philosophy of Photography\u00ab<\/strong><\/p>\n
\n\u00bbOf Bodies and Other Things \u2013 German Photography from the Weimar republic Until Now\u00ab<\/strong><\/p>\n
\n\u00bbFerdinand Schmutzer (1870-1828). The Viennese copperplate engraver \u2013 His unknown photographic work\u00ab<\/strong><\/p>\n
\n\u00bbPierre Molinier and his Sexual Ritual Front of the Camera-box\u00ab<\/strong><\/p>\n
\n\u00bbA Photo Saloon\u2019s Masquerade: the African Popular Subject in Photography\u00ab<\/strong><\/p>\n
\n\u00bbCamouflage: An Artist\u2019s Talk: or is it and isn\u2019t it.\u00ab<\/strong><\/p>\n
\n Chairman: Willem Elias<\/span><\/p>\n
\n\u00bbPrinciples of Interpreting Photographs\u00ab<\/strong><\/p>\n
\n\u00bbPoverties of the Photograph: Image Ethics in Contemporary Culture\u00ab<\/strong><\/p>\n
\n\u00bbSpace In-between: On Women and Landscape\u00ab<\/strong><\/p>\n
\n\u00bbAnimal Photography vs. Postmodern thinking\u00ab<\/strong><\/p>\n
\n\u00bbPotlach, Auction, and in between: Digital Art and Digital Audiences\u00ab<\/strong><\/p>\n
\n\u00bbHomeless Images\u00ab<\/strong><\/p>\n
\n\u00bbA Polish Artist-photographer Natalia Lach-Lachowics (1937)\u00ab<\/strong><\/p>\n
\n\u00bbBody Representations in Photography\u00ab<\/strong><\/p>\n
\n\u00bbEmulsion \u2013 Performative Photography \u2013 the Ontological in the Photographic Image\u00ab<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"