{"id":880,"date":"2022-04-13T18:21:15","date_gmt":"2022-04-13T16:21:15","guid":{"rendered":"http:\/\/www.eshph.org\/symposium\/?p=880"},"modified":"2022-05-17T21:36:46","modified_gmt":"2022-05-17T19:36:46","slug":"international-symposium-on-three-colour-photography-at-the-turn-of-the-twentieth-century","status":"publish","type":"post","link":"http:\/\/www.eshph.org\/symposium\/2022\/04\/13\/international-symposium-on-three-colour-photography-at-the-turn-of-the-twentieth-century\/","title":{"rendered":"26th International Symposium"},"content":{"rendered":"

Technologies, Expeditions, Empires: Three-Color Photography around 1900<\/h3>\n

Online Symposium (Zoom) on Friday 29th April 2022, 1 PM Toronto time \/ 7 PM Vienna time.
\nIn cooperation with the Photographic Historical Society of Canada<\/a> and Hanin Hannouch<\/a>, guest editor of PhotoResearcher no. 37\/April 2022.<\/p>\n

\u2192 Recording of the Symposium on Youtube<\/a><\/p>\n<\/h6>\n

Accompanying the publication of PhotoResearcher No. 37: “Three-Colour Photography around 1900” (guest-edited by Hanin Hannouch).<\/p>\n

Three-colour photography is the basis for most colour photographic technologies nowadays, so why does its multifaceted history, especially at the turn of the last century, remain ignored by historians?<\/p>\n

This online symposium complimenting PhotoResearcher No.37 delves into key technological, cultural and political questions pertaining to this medium in its various historical manifestations. Speakers will address issues of the scientific use of three-colour photography, its iconic protagonists, and its most representative imperial and colonial expeditions. They explore the multitude of photographic processes the term \u201cthree-colour photography\u201d encompasses, ranging from Color Paget, Sanger-Shepherd, Miethe’s System, Bleach-Out methods etc. along with the material and epistemological conditions which engendered them.<\/p>\n

This Symposium seeks to remedy the historical and theoretical vacuum around three-colour photography, opening exciting avenues for subsequent research and enabling more sensitivity towards the presence of colour photography in museum archives.<\/p>\n

This conference is free of charge for attendees and all presenters have been offered an honorarium. This is made possible thanks to the financial generosity of the Photographic Historical Society of Canada.<\/p>\n

PROGRAM<\/h2>\n

Welcome<\/h3>\n

Celio Barreto, PHSC Programme Director, PHSC, Toronto<\/em><\/p>\n

Opening Remarks<\/h3>\n

Clint Hryhorijiw, PHSC President, Toronto.<\/em>
\nUwe Sch\u00f6gl, ESHPh President, Vienna.<\/em><\/p>\n

Symposium Introduction<\/h3>\n

Dr. Hanin Hannouch, Weltmuseum Wien Curator of Analog and Digital Media, Vienna.<\/em><\/p>\n

Panel 1 Moderator<\/h3>\n

Sarah Hart, M.A., Carleton University, Ottawa.<\/em><\/p>\n

Agnes Warburg’s Determination:
\nTowards a Mastery of Three-Colour Printing<\/strong>
\nJanine Freeston, Oxford, U.K.<\/em><\/p>\n

Gustav Fritsch around 1900:
\nAnthropology and Three-Colour Photography in Imperial Germany<\/strong>
\nHanin Hannouch, Weltmuseum Wien, Vienna, Austria.<\/em><\/p>\n

Instinctive Genius \u2013 Frederic Eugene Ives & The Kr\u014dmsc\u014dp Color Photography System<\/strong>
\nRachel Wetzel, Library of Congress, Washington D.C.<\/em><\/p>\n

Leprosy in Iceland: Karl Grossmann\u2019s Sanger-Shepherd Colour Photographs<\/strong>
\nInga L\u00e1ra Baldvinsd\u00f3ttir, National Museum in Iceland, Reykjavik, Iceland.<\/em><\/p>\n

Panel 2 Moderator<\/h3>\n

Dr. Elizabeth Cronin, New York Public Library, NYC.<\/em><\/p>\n

Frank Hurley and the Color Paget Process<\/strong>
\nGeoff Barker, State Library, New South Wales, Sydney, Australia.<\/em><\/p>\n

Astute Inventions:
\nJan Szczepanik’s Colour Textile, Photography and Film<\/strong>
\nDominika Suli\u0144ska, The Castle Museum in Pszczyna, Poland.<\/em><\/p>\n

Why in Colour?
\nSergej Michalovic Prokudin-Gorskii and his Travels 1908\u20131918<\/strong>
\nRolf Sachsse, Universit\u00e4t Bonn, Germany.<\/em><\/p>\n

Harald Renbjoer\u2019s Three-Colour Photography in Norway<\/strong>
\nNils Torske, Levanger, Norway.<\/em><\/p>\n

For further details please visit the registration site<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Technologies, Expeditions, Empires: Three-Color Photography around 1900 Online Symposium (Zoom) on Friday 29th April 2022, 1 PM Toronto time \/ 7 PM Vienna time. In cooperation with the Photographic Historical Society of Canada and Hanin Hannouch, guest editor of PhotoResearcher no. 37\/April 2022. \u2192 Recording of the Symposium on Youtube<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"_links":{"self":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/880"}],"collection":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/comments?post=880"}],"version-history":[{"count":46,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/880\/revisions"}],"predecessor-version":[{"id":928,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/posts\/880\/revisions\/928"}],"wp:attachment":[{"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/media?parent=880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/categories?post=880"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.eshph.org\/symposium\/wp-json\/wp\/v2\/tags?post=880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}