Editors
Anna Auer, Alistair Crawford
Content
Trevor George Sewell
The Autochrome Process
Anselm Wagner
Integrating Photography into History of Art. Remarks on the life and scientific estate of Heinrich Schwarz
Ian Walker
Blossfeldt and Surrealism
Nikolaus Schad
Christian Schad: ‘My Pictures are in no way meant as illustration’
Inge Nevole, Christina Natlacen, Maria Schindelegger
In the laboratory of light: The photogram in contemporary art and its interrelationship with 1920s avant-garde practice
Kerstin Arcadius
The artist as photographer picturing the countryside