Three-Colour Photography around 1900
Three-color photography is the basis for most color photographic technologies nowadays, so why does its multifaceted history remain ignored by historians? This issue of PhotoResearcher explores the various technologies the term “three-color photography” encompasses, investigates their use in different expeditions abroad, and elucidates their role in the visual and discursive constructions of Empire. Thus, it offers readers interpretative and methodological paradigms to complicate three-color photography’s historiographic position.
DOWNLOAD — Editorial — Nils Torske in Conversation with Hanin Hannouch — Hanin Hannouch: Gustav Fritsch around 1900
Moving Beyond Myths: Institutional Experiences of Expanded Photography
This issue of PhotoResearcher explores how digitally-informed photographic practices have transformed experiences and functions of cultural institutions. Interrogating the shifting value systems provoked by expanded photography, the issue reflects on the variable roles and outcomes of (post-)photographic image cultures in institutional environments.
Looking at Photography now.
40 Years ESHPh
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