Three-Colour Photography around 1900

Three-color photography is the basis for most color photographic technologies nowadays, so why does its multifaceted history remain ignored by historians? This issue of PhotoResearcher explores the various technologies the term “three-color photography” encompasses, investigates their use in different expeditions abroad, and elucidates their role in the visual and discursive constructions of Empire. Thus, it offers readers interpretative and methodological paradigms to complicate three-color photography’s historiographic position.

DOWNLOAD — Editorial — Nils Torske in Conversation with Hanin Hannouch — Hanin Hannouch: Gustav Fritsch around 1900

DOWNLOAD — Why in Color? Sergei Mikhailovich Prokudin-Gorskiĭ and His Travels 1908—1918 — Rolf Sachsse