European Society for the History of Photography
Europäische Gesellschaft für die Geschichte der Photographie
Editorial preview: autumn 2022
Moriz Nähr (1859–1945)
Photographer for Habsburg, Klimt and Wittgenstein. Catalogue Raisonné.
Ed. By Uwe Schögl, Sandra Tretter, Peter Weinhäupl for the Klimt Foundation.
For the first results of this perennial research project, see: www.moriz-naehr.com
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Book out of print!
ISBN: 978-88-95523-05-7
An In-Depth Analysis and the First Comprehensive Presentation of Heinrich Kühn’s Autochrome Photographs from the Holdings of the Austrian National Library, Vienna.
This essay appeared in the catalogue Das bedrohte Paradies. Heinrich Kühn fotografiert in Farbe [The Threatened Paradise. Heinrich Kühn Photographs in Colour]
pp. 18-37
Südtiroler Landesmusem für Kultur- und Landesgeschichte Schloss Tirol (ed.), Schloss Tirol 2014
Although books and several articles have been written about Stefano Lecchi and his photographic works during his period in Rome in 1849, the life of this important character has remained somewhat mysterious. As a result of long and extensive research at the international level, it is now possible – for the very first time – to draw up a biography of Stefano Lecchi, full of new, interesting – and often surprising – information.
Benito Monfort (Valencia, Spain 1800 – Biarritz, France 1871) was the founder of the Société Héliographique (Heliographic Society), the journals La Lumière and Cosmos, and the Biarritz Casino.
This essay appeared in the Edition Klimt, vol 3: Emilie Flöge — Reforming fashion, inspiring art. pp. 43-55
Sandra Tretter, Peter Weinhäupl (eds.), published by Christian Brandstätter Verlag, Vienna 2016
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Vilém Flusser and Anna Auer.
5th congress, June 22, 1980
Left: The photo-electrograph – Ronalds’ first photorecording machine at Kiew observatory
Right: Thomas Malone, Photograph of Francis Ronalds, 1850 © Royal Society
Francis Ronalds invented a “movie camera” in 1845 and collaborated with leading practitioners in enhancing the quality and flexibility of photography. His early photographic curves survive, as do examples of his machines. The cameras were used in observatories around the world for over a century.
This developed into his “museum without walls” and became Europe’s first exhibition platform for artistic photography after 1945.
This essay appeared in the catalogue Gerhard Richter – Ausschnitt: Werke aus der Sammlung Böckmann / Gerhard Richter – Detail. Paintings from the Böckmann Collection
pp. 79-85
Eva Kraus, Thomas Heyden (eds.), published by Verlag für moderne Kunst, Nuremberg 2014 at the Neues Museum – Staatliches Museum für Kunst und Design in Nürnberg, Nuremberg, (14 November 2014 – 2 February 2015)
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